Leeum Museum, Seoul. Rotation of the museum’s contemporary collection, October 8 2021 to July 20 2022. Show page.

The exhibition I walked into on my first Leeum visit, May 2022 - the one that opened the museum for me.

Grows from

  • Leeum Museum - the venue. This is the show that earned the seed.

The door - why it matters

The collection wasn’t hung by chronology or movement. The curators cut it into three named rooms: Black, Blank (the color black pushed until absence becomes the subject), Ephemeral Gravity (the non-material, art that leaves the object behind), and Strange Planet (a curiosity shop of imagined creatures and mirrored worlds). More than half of the 76 works had never been shown publicly before.

Two stayed with me: Black, Blank and Strange Planet. The first is the seed of 留白 meeting me on Korean ground, black as a full emptiness rather than a lack. The second is the opposite pole, the room where Olafur Eliasson’s crystal spheres handed me back to myself inverted and Lee Hyung-koo’s invented fossil insisted that imagination leaves real bones. The curation is what opened the museum: it told me the collection could be read by feeling, not by date.

(personal landing still to deepen: what each room did to me, standing there.)

Encountered (reconstructed by room)

Rebuilt from press coverage and visitor reviews, not the official checklist, so attributions need a memory-check. Works marked (captured) are ones I photographed myself.

검은 공백 / Black, Blank (2F) - black pushed until absence is the subject, contemporary set against tradition

에테르의 중력 / Ephemeral Gravity (1F) - the non-material, light and transparency

이상한 행성 / Strange Planet (B1F) - crash-landed on an alien planet